signs & symbols
I found another cowrie shell today—once again, less than a block away from my front door. Is it a sign? I think so (of course). I’m always trying to read the signs, to make sense of my preferences…last night as Rosa and I watched the Mark Morris Dance Group’s The Hard Nut, I frowned through the scene where a veiled (white) woman did some sort of pseudo-belly dance while her four turbaned body guards bowed before her; she was bedecked in bells and glittering gold coins, and around her swirled sheer, flowing fabrics—the kind that would have caught my eye in a fabric store. I watched that scene and wondered, not for the first time, whether my love of glittering things is some form of Orientalism. I grew up in a “former” British
colony; I read Kipling and a slew of Victorian novels that figured “the Far East” as the site of jewels and magic and fantastic tales. Maybe that’s why I was drawn to these sheets of handmade paper, which will appear shortly in my dreambook. I don’t know; they are beautiful, but they’re also “ethnic” in a way that makes me self-conscious. And maybe that’s a good thing. Maybe my attraction to them isn’t as problematic as being oblivious. I don’t know. I went from the paper store to the post office and the white-haired black woman there called me “punkin” as she handed me my change. I was grinning for blocks…
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