the ethical professor

4 Nov 2011 news 0 Comments

(l-r: J.E. Franklin, Rosamond King, Louise Meriwether, Angela Davis, Pamela Booker, Rashidah Ismaili, me)

On Monday I had the pleasure of meeting Dr. Angela Davis; she was being filmed by OWWA (Organization of Women Writers of Africa) and that interview will be added to their collection at the Schomburg. We gathered at NYU at the Institute for African Affairs and Rashidah Ismaili started the interview by asking Dr. Davis to reflect on her childhood and the early influences in her life. We learned that both of her parents were school teachers and so Davis grew up in a home where she was encouraged to read and grow—she and all of her siblings left home as teens, with Dr. Davis going to New York for her last two years of high school. She moved in radical circles and learned from her family members not to talk to the FBI—a lesson that came in handy when she was later arrested as a fugitive. The remark that most stood out to me was Dr. Davis’ assessment of her parents’ vision for her; more than once she stressed the importance of the imagination and the need for young people to “not be too ensconced in the present.” Dr. Davis’ mother fought to secure an education for herself and then made sure her children understood that they had to prepare for a reality that didn’t yet exist. The interview ended with a Q&A and Pam asked an intriguing question about the Buddhist principle of mindfulness: how do you stay present in each moment if you’re constantly looking ahead? That’s a big challenge for any creative writer because we spend so much of our time dreaming; as a writer of historical and speculative fiction, I’m often lost in the past or the future, and it can be difficult to stay on top of your responsibilities (like grading!) when you’re trying to produce work that will hopefully create change. My question was related to an ongoing conversation I’ve been having with some friends on what it means to be an “ethical professor.” One friend’s college is considering merit pay, but if all faculty at the school are being underpaid, what does a two thousand dollar bonus for a handful of profs do to advance equity? Some friends teach two courses per semester and some teach three; right now I teach four, and others in the community college system teach five or six. That kind of teaching schedule doesn’t leave a whole lot of time for activism! The academy is a conservative institution, so how can one be a radical and/or create change without being changed by the institution? Dr. Davis said she often heard academics who insisted they would do the work they really wanted to do just as soon as they got tenure—or just as soon as they got promoted—or just as soon as….and on it went. “What matters,” she said, “is to do the work wherever you are.” In other words, don’t make excuses and don’t let institutional constraints hold you back. Build community—that was her advice—build a network so that when things go awry, you’ve got people who will lift you up and support your work. Later at lunch I talked to the elder members of OWWA and told them about the challenge of teaching effectively with 38 students in the class. Yes, one professor can make an impact, but how much greater would that impact be if the students who most need quality instruction had a lower student to professor ratio? I’m often torn between wanting to do more for my students and wanting to get my own work done—that’s been especially true this semester since my next book’s in production and certain things need my attention. I wrote three sentences last weekend and wished I could disappear and immerse myself in that new project but I can’t. Not until winter break. And maybe that will be my new writing schedule; maybe I’ll only write short pieces that can be completed while I’m not teaching. Audre Lorde says poetry is the most “economical” art form because women can write it on the train, while doing laundry, while the kids are napping…maybe poetry and novellas are in my future. Today would be my day off but I’ve got a training at work so off I go. If I grade my last midterms on the train, I’ll have a weekend FREE of grading!